akai s3200 service manual

akai s3200 service manual

Search results for: (found: ) ask for a document File Date Descr Size Popular Mfg Model: Found in chassis2model: Found in repair tips. Operator’s Manual. All rights are reserved. No part of the software or its documentation may be copied, transferred or modified. Without a valid warranty, the entire cost of the repair (parts and labor) is the responsibility of the product's owner. The S3200XL also includes a multi-. The S3200XL Page 2 S3200XL Operator’s Manual - Version 1.00. Using the internal multi-effects processor, you may add four channels of effects processing to the mixdown. Page 4 S3200XL Operator’s Manual - Version 1.00. Even if you’re a seasoned programmer, we hope that there is information in this manual that you find useful. The level is regulated using the MAIN VOLUME control (see above). FOOTSWITCH The FOOTSWITCH input is actually two switch inputs using a stereo jack. As a result, it is vital that you save your work to disk before turning the power off otherwise you will lose your work and, unless previously saved, it will be gone for ever. It can be time consuming but it will be worth it if you ever have a problem with your hard disk. S3200XL Operator’s Manual - Version 1.00 Page 9. NOTE 1: When making a sample, you may not immediately notice any clipping that may have resulted from incorrect level settings and it may only become apparent when playing back samples lower than the original pitch at which they were sampled. A MISTAKE NOW COULD RUIN YOUR WHOLE DAY NOT TO MENTION YOUR S3200XL!!! Page 12 S3200XL Operator’s Manual - Version 1.00. You will see a message in the LCD informing you of what is going on. After 15 seconds or so, your S3200XL is ready for use.If the disk drive is at an angle, even a slight one, you may have unreliability problems and even data corruption. OPERATING MODES The S3200XL has various modes in which it works and these are selected using the eight large mode keys found beneath the floppy disk drive.http://eletroluz-al.com/_IMG/img_internas/govideo-dvr4000-dvd-vcr-combo-manual.xml

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Each key is illuminated to indicate the sampler’s current status. Our sound programmers at Akai usually use a combination of the numeric keypad and the DATA WHEEL for speedy input of parameter values. MARK AND JUMP KEYS These two grey buttons to the right of the number keypad are used in conjunction with each other.At times when you are not actively using the S3200XL’s front panel for programming (i.e. when actually sequencing or recording to tape, for example, or when using the sampler live on stage), you might like to switch this off. To make looping as easy as possible, the S3200XL has FIND and CROSSFADE functions to help you set good loops. One of the beauties of the Akai samplers is that there are no restrictions on what you do with samples - any sample can be placed into any keygroup in any program. One sample may be placed into a variety of different programs, each of which impose different envelope or filter settings to create a wide range of possibilities from very little. For example, whilst holding down a low string note you could select, say, a brass sound. The strings will continue to sound and you may now play the brass part. S3200XL Operator’s Manual - Version 1.00 Page 27. This sets the program’s sensitivity to velocity. As mentioned, with set to 99, this parameter will have no effect. S3200XL Operator’s Manual - Version 1.00 Page 29. Page 30 S3200XL Operator’s Manual - Version 1.00. For details on using the S3200XL with a hard disk, please refer to the section HARD DISK CONTROL in the DISK section. If you answer GO and YES to the questions regarding released samples, then all programs, (except for an S3200XL generated program - TEST PROGRAM) and samples will be deleted. Deleting samples and rearranging memory space may take a little time, so be patient while this takes place. Please be careful. S3200XL Operator’s Manual - Version 1.00 Page 33. To do this, press the key.https://www.garganosapori.com/uploads/govideo-dv2140-manual.xml

The following explanations, therefore, refer to this method of operation should you wish to work in this way or if you have existing sound library that uses this method. More details on setting up key splits is given later in this section. S3200XL Operator’s Manual - Version 1.00 Page 41. This will reset all the parameters described above to their default values and will clear the program name field, leaving it blank. Page 42 S3200XL Operator’s Manual - Version 1.00. It is also showing us that PART 1 has the default TEST PROGRAM assigned to it. Only that program will be renumbered. Page 46 S3200XL Operator’s Manual - Version 1.00. If you change your mind and do not wish to renumber any programs, simply press without pressing F3, F4, F5 or F6. S3200XL Operator’s Manual - Version 1.00 Page 47. In SINGLE mode, as you select new programs and renumber them, so the program’s parameters will be used. This may or may not be an inconvenience depending on the way you want to work. If you’re mad enough to try layering 16 programs, polyphony will be reduced to one voice. S3200XL Operator’s Manual - Version 1.00 Page 49. The possibilities are almost endless (up to the 16 part limit in fact). Page 50 S3200XL Operator’s Manual - Version 1.00. For example, PARTs 1, 2 and 3 could have layered programs on one MIDI channel whilst 4, 5 and 6 have parts on separate channels. Furthermore, because of powerful synthesiser functions, the S3200XL can be used to play and process samples much like an analogue synth. With two low frequency oscillators (LFOs),. The simplest program you can have is with one keygroup in it that spans the entire MIDI range on C0-G8. The TEST PROGRAM that always boots up into the S3200XL is just such a program. I.e: KEYGROUP 1 Perhaps the next level up is to have a program with two keygroups. Page 54 S3200XL Operator’s Manual - Version 1.00.

You may like to refer to Appendix 4 which shows what the S3200XL would look like if it was laid out traditionally like a synth. Using a MIDI merger on your keyboard would allow you to merge, say, a breath controller with your keyboard. Users of the Akai EWI MIDI wind synthesiser will S3200XL Operator’s Manual - Version 1.00. Similarly, if you do not like synthesisers and prefer instead to use the S3200XL for the reproduction of high quality samples of acoustic instruments again, you need not concern yourself with these functions. Again, as a result, you need not worry about having to set these assignments yourself. There are several ways you can work this. You can use an existing program from your sound library that closely resembles the one you wish to create. S3200XL Operator’s Manual - Version 1.00 Page 61. Please ensure that you have saved them to disk before deleting in case you want to come back to them at a later date. Page 62 S3200XL Operator’s Manual - Version 1.00. Owners of the Akai EWI wind synthesiser will find this function invaluable in obtaining better expression and phrasing. S3200XL Operator’s Manual - Version 1.00. We will skip for the moment and look at the function of first as these affect the program as a whole. S3200XL Operator’s Manual - Version 1.00 Page 65. Page 66 S3200XL Operator’s Manual - Version 1.00. You will receive this screen display: At the top right of the screen is the currently selected program name - in EDIT SINGLE, this may be changed and another selected for editing by scrolling with the DATA control. S3200XL Operator’s Manual - Version 1.00 Page 69. As with all control inputs on the S3200XL, any combination of controllers can be mixed together. Here are a few suggestions: Bend Use this instead of modwheel perhaps. Page 72 S3200XL Operator’s Manual - Version 1.00. In any of the pages described, you may always directly access another from the soft keys. S3200XL Operator’s Manual - Version 1.00 Page 73.

The pitch bend on the S3200XL allows you to set a different range for bend up and down as well as use pressure and a special mode is also available to make it more flexible. The. When is set to OFF, all LFO’s are in sync. This latter option is probably more suited to Page 76 S3200XL Operator’s Manual - Version 1.00. Applying LFO2 to delay will only have an effect at the point of note-on. S3200XL Operator’s Manual - Version 1.00 Page 77. With a positive value set here, playing a note hard will introduce a level of modulation which may be augmented using the modwheel or pressure. Page 78 S3200XL Operator’s Manual - Version 1.00. Once you have set the LFO1 parameters, you may return to the main program edit page by pressing S3200XL Operator’s Manual - Version 1.00 Page 79. However, the random waveform provided by LFO2 has some other possibilities. Page 80 S3200XL Operator’s Manual - Version 1.00. At 00 the effect will be instantaneous and at 99 the effect will take some 5 or 6 seconds to be introduced. I.e. NOTE ON S3200XL Operator’s Manual - Version 1.00 Page 81. No doubt you will find variations of your own. Page 82 S3200XL Operator’s Manual - Version 1.00. This can be very useful in obtaining better expression for piano sounds. The parameters are very simple and are as follows. For example, when playing a trombone sample, you may play normally and then switch portamento on to create the slide Page 84 S3200XL Operator’s Manual - Version 1.00. S3200XL Operator’s Manual - Version 1.00 Page 85. Page 86 S3200XL Operator’s Manual - Version 1.00. S3200XL Operator’s Manual - Version 1.00 Page 87. SNARE DRUM ROLL WITH MUTE GROUP ON In this example, each hit is cut short by the next one. Page 88 S3200XL Operator’s Manual - Version 1.00. This will select that note’s keygroup. For example, in a program with five keygroups spanning C0-B1, C2-B2, C3-B3, C4-B4, C5-G8, playing G3 will select keygroup 3 - i.e.

You will note that this does not apply when inputting notes from the keyboard and is on. Page 90 S3200XL Operator’s Manual - Version 1.00. S3200XL Operator’s Manual - Version 1.00 Page 91. With such generous polyphony, this shouldn’t be a problem unless you are driving the S3200XL particularly hard. If a sample name is assigned but it does not exist in the S3200XL’s memory, a “?” will appear alongside it to indicate that it is missing. To assign a sample, simply move the cursor to this field and scroll through the available samples in memory with the DATA control. As mentioned before, there is a small box to the left of the screen that displays graphically the status of the four zones’ velocity ranges Page 94 S3200XL Operator’s Manual - Version 1.00. As well as using them for the tonal modification of acoustic samples, they also allow you to totally transform a sound. As a result, take care to watch levels. The distortion produced by digital circuitry is not as pleasant as that produced by the old synths (unfortunately!!) so we can’t expect the pleasant overdriven sound from a sampler - if you are. They don’t have any effect if these controllers change through the course of the note but only when the note is pressed. Page 100 S3200XL Operator’s Manual - Version 1.00. You can use these to get close to the type of envelope you are after and then maybe fine tune them afterwards if needs be. Though some keyboards do not accept or transmit this, assuming a mean value of 64, all AKAI keyboards provide a full implementation of this function. The speed with. This parameter can be used very effectively in regulating dynamics through key velocity. S3200XL Operator’s Manual - Version 1.00 Page 103. There are several ways this can be done - you could either sample multiple detuned oscillators or you could sample individual oscillators and then layer them in the S3200XL.S3200XL Operator’s Manual - Version 1.00 Page 105. Page 106 S3200XL Operator’s Manual - Version 1.00.

If OFF is selected, the second filter and tone section are bypassed, and the S3200XL may operate with 32 voices. They don’t have any effect if these controllers change through the course of the note but only when the note is pressed. Page 108 S3200XL Operator’s Manual - Version 1.00. When using high resonance settings, you may find it necessary to switch in the -6dB pad in the field - you may even need to back the programs output level off as well. Page 110 S3200XL Operator’s Manual - Version 1.00. If you imagine a see-saw, the bench. Page 112 S3200XL Operator’s Manual - Version 1.00. S3200XL Operator’s Manual - Version 1.00 Page 113. It is also done to allow ease of use when setting up vibrato.S3200XL Operator’s Manual - Version 1.00 Page 115. Not so on the S3200XL - simply select the appropriate part and press EDIT to adjust the sound within the context of the multi until it’s just right. For example, the OUTPUT screen in EDIT MULTI looks like this: Because stereo level, pan, output and effects assignment are MULTI parameters, these are not accessible in EDIT MULTI. The S3200XL samples at 44.1kHz, the same as compact disc so you can be sure you are getting CD quality sound from your sampler. When MONO is selected, this field defaults to LEFT but, when STEREO is selected you may set which input channel you want to trigger recording. Page 120 S3200XL Operator’s Manual - Version 1.00. Please refer to the SAVE section for more information on saving files. Page 122 S3200XL Operator’s Manual - Version 1.00. If you have just switched the S3200XL on with no disk in it, you will have the four synth waveforms in there. Use one of these as the basis of your new sample. Page 124 S3200XL Operator’s Manual - Version 1.00. You may also start manually by pressing GO. If you change your mind when this prompt is displayed (i.e. because you suddenly realise that continuing with the recording is going to overwrite a valuable existing sample, for example), you may press EXIT.

Please check your connections carefully - it could be that the cable has become disconnected. Also, check that the DAT machine or CD player is switched on. As with analogue recording, the display fills with the incoming sound’s waveform. This may be set here and in other pages if you wish. Page 128 S3200XL Operator’s Manual - Version 1.00. This allows you to delete samples from memory. We will come to these in a moment. S3200XL Operator’s Manual - Version 1.00 Page 129. Page 130 S3200XL Operator’s Manual - Version 1.00. NOTE: Deleting samples is destructive. Please ensure that you have saved them to disk before deleting in case you want to come back to them at a later date. S3200XL Operator’s Manual - Version 1.00 Page 131. Page 132 S3200XL Operator’s Manual - Version 1.00. You will receive this screen display: S3200XL Operator’s Manual - Version 1.00 Page 133. S3200XL Operator’s Manual - Version 1.00 Page 135. In either the SLCT page or the TRIM page, press the key to access the looping page. Repeated pressing of this will make the S3200XL try and try again and you must judge if the loop is acceptable or not. The key is invaluable in creating loops. Be sure to have saved your work before performing a crossfade in case you don’t like the results or you make a mistake. Page 138 S3200XL Operator’s Manual - Version 1.00. Pressing that in this case may create something like the following: Here, the crossfade function has smoothed the whole thing out to create a more uniform amplitude. S3200XL Operator’s Manual - Version 1.00 Page 139. This is not a fault of the S3200XL but something that cannot be avoided. Using are probably your best allies in looping. Please bear this in mind when using these functions. S3200XL Operator’s Manual - Version 1.00 Page 141. It is necessary to make a copy for two reasons - firstly, the S3200XL needs the original data to get the data to insert.

This sets a level of intelligence for the S3200XL to work with when performing an intelligent timestretch. It sets the number of decisions it will make as it works its way through the sample. S3200XL Operator’s Manual - Version 1.00 Page 145. Page 146 S3200XL Operator’s Manual - Version 1.00. Even with 32 Megabytes of RAM installed, there will be occasions where you need to squeeze that little bit more out of the samplers internal memory. This allows you to add EQ, affecting the tone of the sample. Pressing in any of the DSP pages will give this screen display: In the EQ, you may select from four different EQ types and apply cut and boost of gain at specific frequencies. When cutting frequencies, you may like to use the control to boost overall level slightly (although this may also be accomplished by re-normalising the sound). S3200XL Operator’s Manual - Version 1.00 Page 149. When that’s done, select the EQ’d sample as the source sample, set the next frequency you want. Repeat the process again on the second EQ’d sample. Page 150 S3200XL Operator’s Manual - Version 1.00. Page 152 S3200XL Operator’s Manual - Version 1.00. Note that any loop points you have set will stay in the same absolute positions, and will not be reversed with the sample. S3200XL Operator’s Manual - Version 1.00 Page 153. Page 154 S3200XL Operator’s Manual - Version 1.00. After a few seconds, the new sample will be shown which may be played in the usual way. S3200XL Operator’s Manual - Version 1.00 Page 157. S3200XL Operator’s Manual - Version 1.00 Page 159. If you leave FADE or select another sample, these will be lost and you will have to set them again. S3200XL Operator’s Manual - Version 1.00 Page 161. The S3200XL’s effects processor is a 4 channel effects processor.In this way, the S3200XL becomes almost a complete studio in one box and you could mix down a complete multi-timbral musical performance through the stereo outputs.

You can also mix down digitally through the S3200XL’s digital output to DAT or any other digital. This means that effects used with sounds in SINGLE mode can just as easily be used the same in MULTI mode.The first thing you would do is patch in the first multi effects processor to AUX 1 on the mixer. On the S3200XL, you do not have this limitation.S3200XL Operator’s Manual - Version 1.00 Page 169. The mixer’s aux sends are also being fed to the S32000XL’s inputs so that tracks from the DR8 may be Page 170 S3200XL Operator’s Manual - Version 1.00. The choices are identical to those described above for RV3 except that RV4 takes as its input FX2. Please refer to the above description for details. NOTE: RV4 cannot take as its input FX1. S3200XL Operator’s Manual - Version 1.00 Page 173. Press the appropriate soft key again to un-mute the effects channel. Page 174 S3200XL Operator’s Manual - Version 1.00. S3200XL Operator’s Manual - Version 1.00 Page 175. Page 176 S3200XL Operator’s Manual - Version 1.00. Only the DATA control may be used. This sets the level of the four frequencies. S3200XL Operator’s Manual - Version 1.00 Page 177. Page 178 S3200XL Operator’s Manual - Version 1.00. It uses a very short delay time which is modulated by an LFO. S3200XL Operator’s Manual - Version 1.00 Page 179. To overcome this, some chorus units use two delay lines or two LFOs.This sets the second of the rotary speaker effect speeds. Page 182 S3200XL Operator’s Manual - Version 1.00. As a result, you cannot effectively use autopan with mono echo. S3200XL Operator’s Manual - Version 1.00 Page 183. Page 184 S3200XL Operator’s Manual - Version 1.00. S3200XL Operator’s Manual - Version 1.00 Page 185. Page 186 S3200XL Operator’s Manual - Version 1.00. S3200XL Operator’s Manual - Version 1.00 Page 187. In the XOVER and STEREO modes, however, the pool of memory is split between the two channels and so such long delay times cannot be set. Page 188 S3200XL Operator’s Manual - Version 1.00.

S3200XL Operator’s Manual - Version 1.00 Page 189. Page 190 S3200XL Operator’s Manual - Version 1.00. S3200XL Operator’s Manual - Version 1.00 Page 191. Page 192 S3200XL Operator’s Manual - Version 1.00. Page 194 S3200XL Operator’s Manual - Version 1.00. S3200XL Operator’s Manual - Version 1.00 Page 195. This sets the length of the reverse reverb. Page 196 S3200XL Operator’s Manual - Version 1.00. The S3200XL’s multi- effect processor offers two variations on this effect.Try it also with highly rhythmic keyboard parts. Generally, try to set the TIME control so that the sound has its own distinctive ambient space around it. Page 198 S3200XL Operator’s Manual - Version 1.00. S3200XL Operator’s Manual - Version 1.00 Page 199. The S3200XL’s effects processor allows you to set the path of the effects with one simple control, the. S3200XL Operator’s Manual - Version 1.00 Page 201. When pressed, it will show the current effects channel (i.e. FX1, FX2, RV3, RV4) depending on which one you are editing. Press it again to hear the other channels. Page 202 S3200XL Operator’s Manual - Version 1.00. This makes disk management slightly easier. Depending on the number of partitions on your disk, the partition is shown as a letter A -.Page 206 S3200XL Operator’s Manual - Version 1.00. If you try to save an entire volume with many programs and samples, you will have to use more than one disk. Page 208 S3200XL Operator’s Manual - Version 1.00. Setting SCSI ID’s, etc., is discussed later in this section. S3200XL Operator’s Manual - Version 1.00 Page 209. On receipt of a Program Change message, the S3200XL will scan all the hard disk volumes for a number set in this page which corresponds to the Program Change number in the MIDI message. At any time, press F1 - SAVE - to return to the main SAVE screen. S3200XL Operator’s Manual - Version 1.00 Page 211. To format a floppy disk, insert the disk in the drive, and press.

You will see this screen display: There are two types of floppy disk available - DD (double density) or HD (high density). Usually, you must use to format a new disk for use in the S3200XL. Trying on an un-formatted disk will display the prompt:. Make sure that there is no data which is only stored on the hard disk which you want to keep. You will also get this message if a removable type of hard disk is being used and the disk is not inserted in the drive. This makes disk management slightly easier. Page 218 S3200XL Operator’s Manual - Version 1.00. S3200XL Operator’s Manual - Version 1.00 Page 219. Pressing will load the chosen file(s) into memory without deleting anything first. As the disk is being loaded you will receive something like the following display to keep you aware of progress: Page 220 S3200XL Operator’s Manual - Version 1.00. If the disk contains a copy of the operating system and this operating system is the same or a higher version number than the ROM version, this will be loaded. For example, if you want to search for a bass sound, simply type in BASS - the S3200XL will search the selected partition for ALL files that have those letters in them. In this example, you may see a screen display such as: Here, several different basses from several different volumes in the partition have been found. NOTE: The FIND function does not work with floppy disks. Page 224 S3200XL Operator’s Manual - Version 1.00. This is much the same as placing it in a special sub- directory. In this way, certain files in a partition can be categorised according to type or any other category you wish. S3200XL Operator’s Manual - Version 1.00 Page 227. This is done in the SCSI page. The primary benefit of this function is to set the output level to match different mixers’. This parameter is shown in the SINGLE mode for your information.

By filtering out aftertouch on a percussion program where it is not needed, for instance, you can improve the response of the S3200XL when a lot of MIDI data is received. Check your connections or the output channel of the transmitting equipment. If the information appears to be correct, but no sound or unexpected sounds are being produced, then the fault may lie in the MIDI setting of the program(s). Refer to the ME35T manual for operational details. However, note that to set up the MIDI Exclusive channel on the ME35T, the MIDI CHAN and MIDI NOTE keys on the ME35T should be pressed simultaneously. Once you have set the ME-35T settings, they can be saved to floppy disk in the SAVE mode and subsequently loaded in the LOAD mode. S3200XL Operator’s Manual - Version 1.00 Page 239. Page 240 S3200XL Operator’s Manual - Version 1.00. Please note that when performing a restore, it is not possible to do a partial restore - i.e. when restoring into memory, you cannot selectively restore one snare drum, for example, and when restoring to hard disk, you cannot selectively choose a single volume. Of course, you cannot edit these sequence files but this function allows you to use the S3200XL as a sequence data filer so that, if you are playing live and require backing tracks or whatever, you can do so without the inconvenience of taking your sequencer with you. NOTE: As the title of this page implies, files must be on a DOS format floppy disk. SMF’s on floppy disks other than DOS format cannot be read. One of the disks supplied with the sampler contains a demo sequence - you can use this to check out the SMF functions. You may record audio whilst sequencing ordinary programs and samples allowing you to effectively overdub onto disk. This may be useful for laying down vocal parts or guitar, saxophone solos and the like over sequenced backing tracks. The S3200XL allows you to allocate a certain part of your hard disk for sound library and a certain part for disk recordings.

In order to achieve the disk record functions, the process uses 6 of the S3200XL’s voices reducing polyphony in this case to 26 voices when recording to or playing back from disk. If you are at all unsure about certain functions, please refer to the appropriate section in this manual for more information. This shows how many takes are on disk. When you use the disk record functions for the first time or use a freshly formatted disk, this field will show 0. S3200XL Operator’s Manual - Version 1.00 Page 249. The other option is which, as the function implies, turns the drive off completely. Pressing EXIT will cancel the deletion. Be very careful using this feature as deleted takes cannot be retrieved. S3200XL Operator’s Manual - Version 1.00 Page 251. This allows you to set an offset for the MIDI note reception when is selected in the field. Page 252 S3200XL Operator’s Manual - Version 1.00. The DELAY field is of use in that you can set the S3200XL to start recording after a certain delay when it receives a MIDI note-on. This same note-on can then be used to playback the take in sync with other material. Page 254 S3200XL Operator’s Manual - Version 1.00. S3200XL Operator’s Manual - Version 1.00 Page 255. This all depends on the type of START you have selected in. S3200XL Operator’s Manual - Version 1.00 Page 257. You may quickly switch between the start and end fields by pressing the key. S3200XL Operator’s Manual - Version 1.00 Page 259. In this way, by Page 260 S3200XL Operator’s Manual - Version 1.00. The same thing can be done when editing the END point. S3200XL Operator’s Manual - Version 1.00 Page 261. This primes the take for immediate playback from within this page S3200XL Operator’s Manual - Version 1.00 Page 263. If the take does not play back successfully, the reason is probably that the S3200XL has not received the appropriate start command as set in the field.

Also, the take editing and parameter adjustments described above should overcome any discrepancies you may encounter. FADE IN - This sets the fade in time for the take and is variable up to 9999mS (10 seconds) Page 266 S3200XL Operator’s Manual - Version 1.00. For the time being, practice the above until it becomes a natural process. Page 268 S3200XL Operator’s Manual - Version 1.00. To set up a list of takes for MIDI triggering, press the SONG key (F2 in all disk record pages) to get the following screen: This shows a blank, empty song or take list. Because the S3200XL can only play one take at a time, crossfading between takes is not possible. Also, if one take is playing while another is triggered, the new take will take priority although please note that there will be a short gap between the one take finishing and the next take starting. At a more advanced level, you could use the SONG mode to play back a whole series of entire songs recorded and edited this way and the SONG mode can be a convenient method of sequencing the tracks on an album. S3200XL Operator’s Manual - Version 1.00 Page 273. Move the cursor to TAKE 1 and press. Press 2 on the numeric keypad to take you to TAKE 3 and press Page 274 S3200XL Operator’s Manual - Version 1.00. Naturally, this block editing function can be used to delete blocks of steps as well. S3200XL Operator’s Manual - Version 1.00 Page 275. Page 276 S3200XL Operator’s Manual - Version 1.00. At any time, you may abort the procedure by pressing F8 - S3200XL Operator’s Manual - Version 1.00 Page 277. You should now start your DAT machine. If the display shows WAITING FOR CARRIER, this indicates that the correct digital connection has not been made. At any time, you may press F-8 STOP to abort the restore. S3200XL Operator’s Manual - Version 1.00 Page 279. A sound can be looped or it can simply play to the end of the sample.