ableton live user manual

ableton live user manual

Click “More Info” to find out more about this (including possible risks of data processing in the USA), set your individual settings or object to certain processes. Click “Close” to deny consent. However, the use of technically required cookies is essential for the website to function. Learning Synths Get started with synthesis using a web-based synth and accompanying lessons. Making Music Some tips from 74 Creative Strategies for Electronic Producers. 1. Welcome to Live 1.1 The Ableton Team Says: Thank You Live is the result of musicians wanting a better way to create, produce and performA great deal of effort has been put into making Live easyThis effort continues even as you read these lines. inWe hope you enjoy using Live and that it enhances your creative process. Your Ableton Team. 1.2 What’s New in Live 10? 1.2.1 Device Additions and Improvements Wavetable ( see 24.10 ) is a new dual-oscillator wavetable synthesizer that’s both easy to program and deeplyPedal is capableEQ Eight ( see 22.14 ) can now boost or cut frequencies down to 10 Hz. 1.2.2 Capture MIDI Capture MIDI ( see 16.10 ) introduces a new way of (not) thinking about MIDI recording. Now, Live is always listening to MIDI input on armed or input-monitored tracks. PressYou can always capture what you’ve just played,Within the multi-clip view ( see 10.5 ), clicking a clip’s notes or its loop bar selects this clip for editing. If multiple clips of different lengths are selected, the editor will show as manyThere is no limit to the. Holding ALT while scrolling will zoom the amplitude or pitch of the selected tracks. All Arrangement clips within a time selection can be moved using the left and rightHolding Shift while dragging the edge of a warped audio clip in the Arrangement will stretch theDragging inIt’s now possible to activate, deactivate, or reverse a selected range of time.http://www.stumet.eu/pliki/changing-manual-transmission-fluid-mustang.xml

• ableton live user manual, ableton live user manual pdf, ableton live user guide, ableton live 10 user manual, ableton live 10 user manual pdf, ableton live 9 user manual, ableton live 10 instruction manual, ableton live 10 user guide, ableton live lite user manual, ableton live 10.1 user manual, ableton live user manual, ableton live user manual, ableton live user manual pdf, ableton live user manual, ableton live 10 user manual pdf, ableton live lite user manual.

IfLive now plays back MIDI notes in the Arrangement even if playback is started at aThis behavior can be toggled off or onDouble-clicking in a MIDI track in the Arrangement will create a new clip. The clipWhen editing in the Arrangement or Detail View, Follow is now paused rather than disabled.Audio or MIDI files can be imported via an “Import.” command in the Create menu.The Lock Envelopes switch ( see 19.5.6 ) can be MIDI or key mapped. 1.2.6 Automation Improvements Clip fades are now always available directly on the clip if the track is tall enough. In the Arrangement, all automation lanes are shown or hidden via the Automation ModeWhen automation lanes are visible, the content lanes are minimized to the heightIt is possible to Split or Consolidate clips in a time selection within an automationHowever, a fade edge cannot moveBreakpoint values can now be adjusted vertically without moving the breakpoints inIt is now possible to create an automation breakpoint by double-clicking anywhere. In the Arrangement, this means that MIDI clipsAutomation values are now displayed when hovering over or dragging breakpoints orThe Detail View now zooms to show the selected time within an Arrangement clip. Pressing Z will zoom to the time selection in the Arrangement and Detail Views. Audio effects can now be dragged to the Master track’s Scene Launch area.http://www.jurabos.nl/include/editor/changing-manual-transmission-fluid-subaru-outback.xml

Holding Shift while scrolling will scroll horizontally on both Mac and Windows (this previouslyIndividual Drum Rack pads can now be routed to one of the Drum Rack’s internal returnSearching or browsing within a Collection will thenUninstalled Packs or Packs with available updates can be installed directly from theThe Metronome can be set to click at various note divisions via its pull-down andWhen Enable Only While Recording is enabled in the Metronome’s pull-down and contextThe Enable Only While RecordingThe Computer MIDI Keyboard is now off by default, and can be toggled on and off withWhen hovering over disabled contextEnabled sample dots on waveforms. When zooming in, it’s easier to see where samplesMIDI notes are now drawn in their clip’s color in the Note Editor. Added an Assign Track Color to Clips menu item to the context menu of track headers.Live’s dials and sliders now look sharp at any zoom level. Introduced a set of five new Themes ( see 2.2 ) in place of the previously available Live “Skins”. Pen Tablet Mode allows graphicThis replaces the “AbsoluteMouseMode” entryWAV, AIFF, and FLAC formats areWhen Encode MP3 is on, a CBR 320 kbps MP3 file is created.If neither toggle is enabled,Saving a Set creates a Backup folder within the Project. This folder contains theRecorded audio files now include a timestamp in the filename. Live Sets now load samples faster, which may reduce the Set’s loading time. Large Live Sets can now be closed 5-10 times faster. Numerous changes for Windows 10: Live now supports the Jump List. When using Live 9 and 10 in parallel, they no longer ask for admin rights if you startOwners of both Live 9 and 10 can choose which version of Live to open a Live Set with. It is now possible to associate.als files with a specific Live version, via “Control Panel” - “Apps” - “Default Apps”. 1.2.

13 Max for Live Updates Max for Live is now bundled with the Live installation and is loaded whenever LiveThis mode allows for real-time playing and stepHolding Note (Push 1) or Layout (Push 2) temporarilyWhen using the Loop Selector layout in Drum Racks and Simpler’s Slicing Mode, holdingWhen using the 64-pad layout, holding Note (Push 1) or Layout (Push 2) momentarilyHolding Shift while pressing Note (Push 1) or holding Shift while pressing LayoutPressing Note (Push 1) or Layout (PushLayouts are now remembered per track. Holding Duplicate and tapping a loop length pad copies the contents of that page andHolding Delete and tapping a loop length pad deletes the content of that page. 1.2.16 Push MIDI Clip Mode When using MIDI tracks in Clip Mode ( see 29.14 ), Push 2’s display shows the notes within the selected MIDI clip. MIDI clips can be cropped from Push 2. 1.2.17 Additional Push Improvements Control Surfaces, including Push 1 and 2, are now available when Live runs as a ReWireAdded Split Stereo Pan Mode to Push 1 and 2. When Split Stereo Pan Mode is activeIt is now possible to convert audio to MIDI from Push 2, via the Convert button. The Collections folder for color labels is now a root level entry in the Push 2 browser. Nested chains can now be displayed, folded, and unfolded on Push 2. On Push 2, holding a track’s selection button arms the track. Download Live 10 manual (PDF) English, Deutsch, ???, Espanol, Francais, Italiano, ???? Converting Audio to MIDI 11.1 Slice to New MIDI Track 11.1.1 Resequencing Slices 11.1.2 Using Effects on Slices 11.2 Convert Harmony to New MIDI Track 11.3 Convert Melody to New MIDI Track 11.4 Convert Drums to New MIDI Track 11.5 Optimizing for Better Conversion Quality 12. Using Grooves 12.1 Groove Pool 12.1.1 Adjusting Groove Parameters 12.1.2 Committing Grooves 12.2 Editing Grooves 12.2.1 Extracting Grooves 12.3 Groove Tips 12.3.1 Grooving a Single Voice 12.3.2 Non-Destructive Quantization 12.3.

3 Creating Texture With Randomization 13. Launching Clips 13.1 The Launch Box 13.2 Launch Modes 13.3 Clip Launch Quantization 13.4 Velocity 13.5 Legato Mode 13.6 Follow Actions 13.6.1 Looping Parts of a Clip 13.6.2 Creating Cycles 13.6.3 Temporarily Looping Clips 13.6.4 Adding Variations in Sync 13.6.5 Mixing up Melodies and Beats 13.6.6 Creating Nonrepetitive Structures 14. Working with Instruments and Effects 17.1 Using the Live Devices 17.1.1 Live Device Presets 17.2 Using Plug-Ins 17.2.1 Plug-Ins in the Device View 17.2.2 Sidechain Parameters 17.3 VST Plug-Ins 17.3.1 The VST Plug-In Folder 17.3.2 VST Presets and Banks 17.4 Audio Units Plug-Ins 17.5 Device Delay Compensation 18. Instrument, Drum and Effect Racks 18.1 An Overview of Racks 18.1.1 Signal Flow and Parallel Device Chains 18.1.2 Macro Controls 18.2 Creating Racks 18.3 Looking at Racks 18.4 Chain List 18.4.1 Auto Select 18.5 Zones 18.5.1 Signal Flow through Zones 18.5.2 Key Zones 18.5.3 Velocity Zones 18.5.4 Chain Select Zones 18.6 Drum Racks 18.6.1 Pad View 18.7 Using the Macro Controls 18.8 Mixing With Racks 18.8.1 Extracting Chains 19. Automation and Editing Envelopes 19.1 Recording Automation in Arrangement View 19.2 Recording Automation in Session View 19.2.1 Session Automation Recording Modes 19.3 Deleting Automation 19.4 Overriding Automation 19.5 Drawing and Editing Automation 19.5.1 Drawing Envelopes 19.5.2 Editing Breakpoints 19.5.3 Stretching and Skewing Envelopes 19.5.4 Simplifying Envelopes 19.5.5 Inserting Automation Shapes 19.5.6 Locking Envelopes 19.5.7 Edit Menu Commands 19.5.8 Editing the Tempo Automation 20. Working with Video 21.1 Importing Video 21.2 The Appearance of Video in Live 21.2.1 Video Clips in the Arrangement View 21.2.2 The Video Window 21.2.3 Clip View 21.3 Matching Sound to Video 21.4 Video Trimming Tricks 22. Max for Live 25.1 Setting Up Max for Live 25.2 Using Max for Live Devices 25.3 Editing Max for Live Devices 25.4 Max Dependencies 25.5 Learning Max Programming 26.

Link, Synchronization, and ReWire 30.1 Setting up Link 30.2 Using Link 30.3 Synchronizing via MIDI 30.3.1 Synchronizing External MIDI Devices to Live 30.3.2 Synchronizing Live to External MIDI Devices 30.3.3 Sync Delay 30.4 Connecting via ReWire 30.4.1 Running Live in ReWire Host Mode 30.4.2 Running Live in ReWire Device Mode 30.4.3 More on ReWire 31. Computer Audio Resources and Strategies 31.1 Managing the CPU Load 31.1.1 CPU Load from Multichannel Audio 31.1.2 CPU Load from Tracks and Devices 31.1.3 Track Freeze 31.2 Managing the Disk Load 32. MIDI Fact Sheet 33.1 Ideal MIDI Behavior 33.2 MIDI Timing Problems 33.3 Live’s MIDI Solutions 33.4 Variables Outside of Live’s Control 33.5 Tips for Achieving Optimal MIDI Performance 33.6 Summary and Conclusions 34. Click “More Info” to find out more about this (including possible risks of data processing in the USA), set your individual settings or object to certain processes. Click “Close” to deny consent. However, the use of technically required cookies is essential for the website to function. Learning Synths Get started with synthesis using a web-based synth and accompanying lessons. Making Music Some tips from 74 Creative Strategies for Electronic Producers. Ableton Reference Manual Version 10 for Windows and Mac Reference Manual by Dennis DeSantis, Michelle Hughes, Ian Gallagher, Kevin Haywood,All rights reserved. Made in Germany. This manual, as well as the software described in it, is furnished under license andThe contentEvery effort has beenAbleton assumes noApple, Finder,Windows is a registered trademark of MicrosoftIntel is a registered trademarkVST and ASIO are trademarksReWire, Recycle and REX2 are trademarksAll other product and company names are trademarks orConverting Audio to MIDI 11.1 Slice to New MIDI Track 11.1.1 Resequencing Slices 11.1.2 Using Effects on Slices 11.2 Convert Harmony to New MIDI Track 11.3 Convert Melody to New MIDI Track 11.4 Convert Drums to New MIDI Track 11.

5 Optimizing for Better Conversion Quality 12. Using Grooves 12.1 Groove Pool 12.1.1 Adjusting Groove Parameters 12.1.2 Committing Grooves 12.2 Editing Grooves 12.2.1 Extracting Grooves 12.3 Groove Tips 12.3.1 Grooving a Single Voice 12.3.2 Non-Destructive Quantization 12.3.3 Creating Texture With Randomization 13. Launching Clips 13.1 The Launch Box 13.2 Launch Modes 13.3 Clip Launch Quantization 13.4 Velocity 13.5 Legato Mode 13.6 Follow Actions 13.6.1 Looping Parts of a Clip 13.6.2 Creating Cycles 13.6.3 Temporarily Looping Clips 13.6.4 Adding Variations in Sync 13.6.5 Mixing up Melodies and Beats 13.6.6 Creating Nonrepetitive Structures 14. Working with Instruments and Effects 17.1 Using the Live Devices 17.1.1 Live Device Presets 17.2 Using Plug-Ins 17.2.1 Plug-Ins in the Device View 17.2.2 Sidechain Parameters 17.3 VST Plug-Ins 17.3.1 The VST Plug-In Folder 17.3.2 VST Presets and Banks 17.4 Audio Units Plug-Ins 17.5 Device Delay Compensation 18. Instrument, Drum and Effect Racks 18.1 An Overview of Racks 18.1.1 Signal Flow and Parallel Device Chains 18.1.2 Macro Controls 18.2 Creating Racks 18.3 Looking at Racks 18.4 Chain List 18.4.1 Auto Select 18.5 Zones 18.5.1 Signal Flow through Zones 18.5.2 Key Zones 18.5.3 Velocity Zones 18.5.4 Chain Select Zones 18.6 Drum Racks 18.6.1 Pad View 18.7 Using the Macro Controls 18.8 Mixing With Racks 18.8.1 Extracting Chains 19. Automation and Editing Envelopes 19.1 Recording Automation in Arrangement View 19.2 Recording Automation in Session View 19.2.1 Session Automation Recording Modes 19.3 Deleting Automation 19.4 Overriding Automation 19.5 Drawing and Editing Automation 19.5.1 Drawing Envelopes 19.5.2 Editing Breakpoints 19.5.3 Stretching and Skewing Envelopes 19.5.4 Simplifying Envelopes 19.5.5 Inserting Automation Shapes 19.5.6 Locking Envelopes 19.5.7 Edit Menu Commands 19.5.8 Editing the Tempo Automation 20. Working with Video 21.1 Importing Video 21.2 The Appearance of Video in Live 21.2.

1 Video Clips in the Arrangement View 21.2.2 The Video Window 21.2.3 Clip View 21.3 Matching Sound to Video 21.4 Video Trimming Tricks 22. Max for Live 25.1 Setting Up Max for Live 25.2 Using Max for Live Devices 25.3 Editing Max for Live Devices 25.4 Max Dependencies 25.5 Learning Max Programming 26. Link, Synchronization, and ReWire 30.1 Setting up Link 30.2 Using Link 30.3 Synchronizing via MIDI 30.3.1 Synchronizing External MIDI Devices to Live 30.3.2 Synchronizing Live to External MIDI Devices 30.3.3 Sync Delay 30.4 Connecting via ReWire 30.4.1 Running Live in ReWire Host Mode 30.4.2 Running Live in ReWire Device Mode 30.4.3 More on ReWire 31. Computer Audio Resources and Strategies 31.1 Managing the CPU Load 31.1.1 CPU Load from Multichannel Audio 31.1.2 CPU Load from Tracks and Devices 31.1.3 Track Freeze 31.2 Managing the Disk Load 32. MIDI Fact Sheet 33.1 Ideal MIDI Behavior 33.2 MIDI Timing Problems 33.3 Live’s MIDI Solutions 33.4 Variables Outside of Live’s Control 33.5 Tips for Achieving Optimal MIDI Performance 33.6 Summary and Conclusions 34. In order to open it, launch Live and click on the following option on Live's menu bar: Note that in some internet browsers the manual will be opened directly in the browser and not downloaded. Click “More Info” to find out more about this (including possible risks of data processing in the USA), set your individual settings or object to certain processes. Click “Close” to deny consent. However, the use of technically required cookies is essential for the website to function. Learning Synths Get started with synthesis using a web-based synth and accompanying lessons. Making Music Some tips from 74 Creative Strategies for Electronic Producers. 2. First Steps 2.1 Learn About Live Live comes with a set of interactive lessons to take you step by step through the key features of the program.

The lessons areMany users have told usWe also recommend that you read the Live Concepts chapter ( see Chapter 4 ), which encapsulates everything that Live is and can do, and is therefore a worthwhileThe remaining chapters of this manualIf you require more information on a specific user interface element or topic, pleaseThe index, found at the end of the manual, containsThis window is accessedPreferences can also be accessed with theThe Audio Preferences are used to set up Live’s audio connections with the outsidePlease take the time to follow the program’s built-inTo access the lesson, useTo learn how to route an external device into Live for MIDI input, or how to send. This subject is covered in detail in the MIDI and Key Remote Control chapter ( see Chapter 27 ). Syncing the program with external devices, either via Ableton Link or via MIDI. Please see the Link,This screen consists ofIf you have multipleEach one of the selector buttons at the screen borders calls up a specific view; clicking this one, for instance, opensYou can run Live in Full Screen Mode by selecting the Full Screen command from the. On Windows and versions of OS X prior to 10.9, you can leave Full Screen modeTurn Full Screen Off (Windows and OS X 10.8 or older). When using OS X version 10.9 or higher, Live uses the operating system’s native fullYou can turn Full ScreenAdjusting the Main Window Split. Download Live 10 manual (PDF) English, Deutsch, ???, Espanol, Francais, Italiano, ???? Converting Audio to MIDI 11.1 Slice to New MIDI Track 11.1.1 Resequencing Slices 11.1.2 Using Effects on Slices 11.2 Convert Harmony to New MIDI Track 11.3 Convert Melody to New MIDI Track 11.4 Convert Drums to New MIDI Track 11.5 Optimizing for Better Conversion Quality 12. Using Grooves 12.1 Groove Pool 12.1.1 Adjusting Groove Parameters 12.1.2 Committing Grooves 12.2 Editing Grooves 12.2.1 Extracting Grooves 12.3 Groove Tips 12.3.1 Grooving a Single Voice 12.3.2 Non-Destructive Quantization 12.3.

3 Creating Texture With Randomization 13. Launching Clips 13.1 The Launch Box 13.2 Launch Modes 13.3 Clip Launch Quantization 13.4 Velocity 13.5 Legato Mode 13.6 Follow Actions 13.6.1 Looping Parts of a Clip 13.6.2 Creating Cycles 13.6.3 Temporarily Looping Clips 13.6.4 Adding Variations in Sync 13.6.5 Mixing up Melodies and Beats 13.6.6 Creating Nonrepetitive Structures 14. Working with Instruments and Effects 17.1 Using the Live Devices 17.1.1 Live Device Presets 17.2 Using Plug-Ins 17.2.1 Plug-Ins in the Device View 17.2.2 Sidechain Parameters 17.3 VST Plug-Ins 17.3.1 The VST Plug-In Folder 17.3.2 VST Presets and Banks 17.4 Audio Units Plug-Ins 17.5 Device Delay Compensation 18. Instrument, Drum and Effect Racks 18.1 An Overview of Racks 18.1.1 Signal Flow and Parallel Device Chains 18.1.2 Macro Controls 18.2 Creating Racks 18.3 Looking at Racks 18.4 Chain List 18.4.1 Auto Select 18.5 Zones 18.5.1 Signal Flow through Zones 18.5.2 Key Zones 18.5.3 Velocity Zones 18.5.4 Chain Select Zones 18.6 Drum Racks 18.6.1 Pad View 18.7 Using the Macro Controls 18.8 Mixing With Racks 18.8.1 Extracting Chains 19. Automation and Editing Envelopes 19.1 Recording Automation in Arrangement View 19.2 Recording Automation in Session View 19.2.1 Session Automation Recording Modes 19.3 Deleting Automation 19.4 Overriding Automation 19.5 Drawing and Editing Automation 19.5.1 Drawing Envelopes 19.5.2 Editing Breakpoints 19.5.3 Stretching and Skewing Envelopes 19.5.4 Simplifying Envelopes 19.5.5 Inserting Automation Shapes 19.5.6 Locking Envelopes 19.5.7 Edit Menu Commands 19.5.8 Editing the Tempo Automation 20. Working with Video 21.1 Importing Video 21.2 The Appearance of Video in Live 21.2.1 Video Clips in the Arrangement View 21.2.2 The Video Window 21.2.3 Clip View 21.3 Matching Sound to Video 21.4 Video Trimming Tricks 22. Max for Live 25.1 Setting Up Max for Live 25.2 Using Max for Live Devices 25.3 Editing Max for Live Devices 25.4 Max Dependencies 25.5 Learning Max Programming 26.

Link, Synchronization, and ReWire 30.1 Setting up Link 30.2 Using Link 30.3 Synchronizing via MIDI 30.3.1 Synchronizing External MIDI Devices to Live 30.3.2 Synchronizing Live to External MIDI Devices 30.3.3 Sync Delay 30.4 Connecting via ReWire 30.4.1 Running Live in ReWire Host Mode 30.4.2 Running Live in ReWire Device Mode 30.4.3 More on ReWire 31. Computer Audio Resources and Strategies 31.1 Managing the CPU Load 31.1.1 CPU Load from Multichannel Audio 31.1.2 CPU Load from Tracks and Devices 31.1.3 Track Freeze 31.2 Managing the Disk Load 32. MIDI Fact Sheet 33.1 Ideal MIDI Behavior 33.2 MIDI Timing Problems 33.3 Live’s MIDI Solutions 33.4 Variables Outside of Live’s Control 33.5 Tips for Achieving Optimal MIDI Performance 33.6 Summary and Conclusions 34. The site may not work properly if you don't update your browser. If you do not update your browser, we suggest you visit old reddit. Press J to jump to the feed. Press question mark to learn the rest of the keyboard shortcuts Log in sign up User account menu 2 Where to buy the Ableton Live Reference Manual in actual book form, not PDF? You'd have to get the Live 9 manual, which of course wouldn't cover the new features, but you could see about printing out the PDF chapters on them. I got my copy by buying the box, but I've seen people here mention messaging the Ableton team and being able to buy just the manual without all the other stuff that comes in the box. The only obstacle would be convincing 25 people to send a random stranger money. All rights reserved Back to top. This may happen as a result of the following: Javascript is disabled or blocked by an extension (ad blockers for example) Your browser does not support cookies Please make sure that Javascript and cookies are enabled on your browser and that you are not blocking them from loading. Lets check that the MIDI ports are free for the plug-in to use.

This will ensure that your DAW won’t crash and we won’t be getting double data in to the DAW processing loop. Now check that the physical input port has Track, Sync and Remote toggled OFF. Example: My JP-8000 MIDI Out sends MIDI to RayDAT Port 1 Input. Toggle OFF all options in it. You can also see how I have deactivated Output: RayDAT Port 1 which is important! We need to be 100% sure that the port is free for the plug-in to use! Toggle OFF track ARM switch before you continue any further. Otherwise Live will force the MIDI data to the plug-in twice, which is not what we want. Check the plug-in user manual to learn more. You can also seek help from our support site if you can’t find out what is causing error in your setup. See image below. See image below. I have moved Filter Cutoff in the plug-in interface to notify Live about the parameter existance. See image below. Best option is automate with the plug-in user interface controls. Before you start to pursue with MIDI blocks, read the next chapter! In Live I’ve added MIDI track to the arrange. MIDI out is pointing to JP-8000 vMIDI Out, which I’ve created in our Setting MIDI Devices guide.This must be the same as the plug-in channel setting. Example, if Lower layer in the plug-in points to channel 1, then MIDI channel 1 in the MIDI track will send MIDI data to synthesizers lower layer. Right click on the MIDI track and menu will open up. Set the MIDI out to JP-8000 vMIDI Out and channel to 2.In this case we will add new Audio Track, select the input where the synthesizer Audio output is connected. Track monitoring is toggled on to hear the synth in action while playing some chords! We hope you find this useful. Yes please! Send your suggestions to us because it will make our products better. This will help us to deliver more for you! Related Knowledge Base Docs. Please choose a different delivery location.Additional terms apply.Our payment security system encrypts your information during transmission.

We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. Used: GoodMay contain limited notes, underlining or highlighting that does affect the text. Accessories such as CD, codes, toys, may not be included.Please try again.Please try again.Please try again. Please try your request again later. The book provides power-user tips and insider tricks for integrating Ableton Live into your home or professional studio. But Live's in-studio capabilities are just the beginning. Every last feature, button, fader, instrument, and effect in Live 8 was also designed with the live performer in mind. Ableton Live 8 Power.Whether you use Live for producing, composing, DJing, or film and television, Ableton Live 8 Power.Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. Visit hobo-tech.com for Jon's latest Ableton Live tips and music downloads.To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzes reviews to verify trustworthiness. Please try again later. Amazon Customer 3.0 out of 5 stars The book is more like a slimmed down version of the very large official Ableton User Manual PDF. It is more readable, and more narrative than the PDF, but not really by all that much. It has available some live sets that you can download and there are a few areas in the book where it prompts you to try things, but not many. By comparison, I also have the book Reason 4 Ignite by Matt Piper (also Cengage Learning), and it takes a completely different approach. Each chapter in that book has you start with blank instrument and work through a short lesson. This style I found much more engaging, and I learn the software so much faster.

With the Ableton Power book, I feel like I've learned enough about the software now by playing with it, that the book doesn't really provide much of a reference for me anymore, as I'll probably just go straight to the PDF User Manual. Your mileage may vary.It's more of a reference guide in my opinion, and that's alright. It tries to explain every concept it brings up, but assumes you will practice and understand some of it on your own. It doesn't necessarily teach you the technique or workflow behind making a song directly, but it is all there if you break the concepts down.This is an incredible program that can be used in a plethora of ways. I selected this book in hopes that it would help me learn all of the ins and outs of the software and give me some good tips on Live implementation. This is a well written book but it does not go much deeper than the manual that came with my software. By the time the book arrived I had already learned just about every thing in it by reading the manual, watching online videos, doing the tutorials included with Live, and playing around with the software. To be fair I am a professional engineer and have a lot of experience in audio recording, having worked with many different platforms over the years. If you are just getting started with Live and digital recording this may be a good book to read. However, for anyone related experience it may not be worth it.I give it 3 stars relative to the piles of other tech books that I've read. Also, the book is very geared to Ableton as a music performance tool rather than an environment in which to record. This I guess is fair but not what I want out of it.Recommended for beginners like me.It could be used as textbook for an classroom environment.Don't be me.READ THIS BOOK!Not for beginners.

I've learned a lot about Ableton having read this book from cover to cover but, if I'm absolutely honest (and without taking anything away from the other Amazon reviews), having read many similar guides on other Digital Audio Workstations, this book could be much, much better and the tutorials are an absolute waste of time. 1) This book is NOT for beginners. I'm not a beginner but can imagine beginners struggling with some of the terminology that this book uses and the acute lack of detailed explanation in some cases. This surprised me somewhat because I recently read the 'Reason 5 Power!' guide (which covers Propellerhead's Reason production software) which is published by the same company (Course Technology Cengage Learning) and is a great foundation for anyone who is just getting into music production as it covers the basics very well whilst successfully tacking advanced topics too. 2) The tutorials and accopanying project files in this book are nothing short of AWFUL. I really hope that the author and publisher read this and take note. The best way readers can learn is through doing. The easiest way to alienate your readers is by blinding them with large chunks of uninvolving text. This book falls firmly under the latter description and I genuinely wonder who gave the green light for it to be printed. 100 pages in, I realised I hadn't come across a single tutorial. And when one finally does come along (and there are only approximately 10-15 hands on tutorials in this FOUR HUNDRED page book) it's ruined either because of a lack of explanation (in the worst case the project file is merely referenced in passing at the end of the chapter without any attempt to involve the reader) or because the accompanying project file is missing associated media files which means the project doesn't work properly OR the referenced project file is simply missing in its entirety. Further to this, you have to locate and download the project files from the publisher's website.